the song says - bruno pronsatos label restarts after 4 years of hiatus with a vinyl version of his seminal lovers do cd from 2011!

jack pattern ist ein trio aus zürich, welches sich analogen soundmaschinen und dem produzieren intergalaktischer töne und grooves, sowie dem gelegentlichen auflegen verschrieben hat. sie betreiben außerdem ihr eigenes label lust poderosa. diese jungs lieben den moment oszillierender wellen. es geht nicht um purismus, es geht darum, das auszuleben, was sie fühlen: liebe, beschleunigung, dann euphorie. deeper acidoid-rauer cosmic disco und house, sowie düster-trippiger techno zeichnen diese 4 track ep und ihr debüt auf drumpoet aus.

after closing the year with four tracks of wintery house from san laurentino, aficionado set their sights on the spring with their latest release, which comes courtesy of glaswegian trio imperfect product.

after a stellar 2015 that included 12”s from bas ibellini, kool d and the newly formed collaborative trio of the martinez brothers, jesse calosso and phil moffa seth troxler and the martinez brothers ready the next record on tuskegee music the first of 2016 which comes from good friend butch.

italian trio agents of time make their ellum debut with a weighty, two track release. magma shares remnants of label head maceo plexs own formidable style, with compelling synths, punchy claps and a rumbling bassline. obsidian is finally seeing a release after causing heat from fur coat’s feature in their bbc essential mix a few months ago. heady, powerful, stirring, expertly crafted, adjectives that are regularly used for ellum releases and agents of time have confidently followed their predecessor’s footsteps. agents of time are andrea di ceglie, fedele ladisa and luigi tutolo. making music together since july 2013, they have clocked up an album on stem records and the massive polina ep on correspondent. their supporters include dixon, agoria and tiga, and their sound has been brought to over 20 countries through a live platform with analogic instruments.

throwing snow presents axioms, bringing together a trio of singles developed for his ever-changing ever-changing live sets. built for the summer, yet seen through a wintery prism, these six dancefloor-facing tracks have been received wide-ranging support, including thom yorke, gilles peterson, four tet, sasha and laurent garnier. previously digital-only, the tracks are pressed onto heavyweight, multi-coloured 12inch, along with two locked grooves created especially for the vinyl release, and presented in bespoke die-cut sleeve with clear acetate window displaying the coloured wax. cut & mastered by matt colton at alchemy and limited to 500 copies worldwide

solo-debütalbum des filmkomponisten und mitglieds des gothtronic-trios the night terrors, miles brown. nach dem trio-erfolg mit *pavor nocturnus* veröffentlicht der solist brown ein synthie-pop-opus mit klaustrophobisch-eiskalter grundstimmung und textlich orwellscher thematik (die bedrohung der freiheit des individuums durch technologischen fortschritt).

streng limitierte 12--edition (150 stück), handgestempelt und bestickert. ein wunderschön-episches kraut-yacht-rock-psychedelic jazz-groove-werk mit gitarre, percussion, analogsynthesizer, flöte, sitar, bass, orgel, alles eingespielt vom großmeister roberto di gioia. gold ist das metall der götter. pur, elementar und unschuldig. die musik wurde komponiert für und basiert auf einem theaterstück namens gold der avangarde-theatergruppe hunger & seide. alle instrumente wurden vom legendären genie roberto di gioia (hobby, marsmobil, max herre band, udo lindenberg, klaus doldinger s passport, u.v.a.) eingespielt. der multiinstrumentalist , songwriter, preisgekrönter jazzmusiker und interpret roberto di gioia arbeitete auch an produktionen und live-performances mit Âme, peter kruder, dj hell (gigolo), wigald boning, beanfield, console, notwist, helge schneider, trüby trio, christian prommer

loco dices desolat kicks off 2016 with a brilliant new ep from romanian trio premiesku aka long term friends livio, roby and george g. they have close associations with the label and have done for years, and after their great debut album indirect in 2012, are now a very real force in the dance world.

rezzett are arguably one of the trilogy tapes goto acts. the london duo has previously released a trio of impressive, off-kilter eps of fuzzy house and techno jams for will bankheads much-loved imprint. happily, zik zak is every bit as essential as their previous material, expertly blurring the boundaries between techno, experimental electronics, and distorted hardcore. while the drowsy-but-sweaty hey hugo all sampled vocal yelps, sweeping chords and clattering percussion is probably the most obviously ear-catching of the four cuts, theres plenty to get excited about elsewhere. check, for example, the intricate electronics and eyes-closed loveliness of the title track, and the fluid melodiousness of opener afyon or, for that matter, the comforting bliss of ep closer noklue.

*dubble attack* is the ultimate deejay selection for producer legend glen brown including u roys king tubby sound system special *number one in the world*, big youths instant rewind *opportunity rock*, three of i roys hardest and hardest to get tunes along with a trio of killers from prince jazzbo and many more, released in 1972 to 1974 on glen browns jamaican label pantomime. in total 14 tracks of highly desirable recordings from the most collectable label of them all, engineered by king tubby. remastered with expanded sleeve notes *dubble attack* is the must have deejay round-up no serious reggae fan can be without. available as cd (digipak) and lp-vinyl with new lacquers cut by kevin metcalfe at soundmasters.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno.

mister woo is a composite techno-hybrid supergroup that has been forged against a harsh maritime backdrop of portsmouth, uk. following aristotles philosophy * the sum is greater than its parts * the core members of reset robot, jon gurd and tom powell cast aside their professional careers to concentrate on the emotive outlet and gnarled production machine that is mister woo. as a complex blend of established producers, sound engineers and multi-instrumentalists, the trio, bound by location, deliver a series of audio-visual works based on ground breaking production, perfectionism and exceptional electronic music.
limited edition 180 gram vinyl release.

das 1973 von neu! und clustermitgliedern gegründete trio markierte eine wende im krautrock: weg von der fusionitis, weg vom überambitionierten gegniedel, weg von der ironie, die allzu oft nur lausige fähigkeiten kaschierte. harmonia spielte seine impressionistischen skizzen mit minimalistischem gestus. kein text trübte den sound, alles war repetitiv, friedlich atmosphärisch und irgendwie lofi. brian eno hörte sich so tief rein in diese kitschlosen versponnenheiten, dass er den ambient erfinden konnte. heute, nach 31 jahren, klingt das etwas unfertig, vor allem die ein- und ausstiege, doch der naive charme der musik blieb erhalten. das album bildet den auftakt einer reihe von remasterten neuauflagen legendärer brain-platten. darunter auch ii von cluster. hat eno natürlich auch intensiv gehört.

frank cunimondo trio still hits it with “feeling good” on the a, jazz, house & hip hop heads all dig it. etta james “in the basement” will always start the party, pure soul, the funky smell, and the sweaty groove.

with previous releases on tuskegee music coming from the trio the martinez brothers, jesse calosso and phil moffa under their soundview alias as well as kool d and trouw resident william kouam djoko, next in line sees the return of bas ibellini with his first full length ep on the label in the form of friendship

having recently played an eight hour set to a sold-out crowd at london’s oval space, the prolific dusky drop a trio of moody club tool tracks on 17 steps as they continue their european autumn/winter tour. a club tool in the most effective sense, lead track ’lydia’ is dark, nagging acid groover that builds and builds throughout its 6 hypnotic minutes. with all the melodic material based around the lydian scale, ‘lydia’ was originally inspired by a bizarre, trippy dream alfie had in which everything was all based on the lydian scale. a homage to classic techno, ‘bitter lake’ is a hard-hitting surge of looping, percussive energy and detroit-nodding rave stabs that build to a hoover-fuelled breakdown release. rounding off the trio, the brilliantly titled and uniquely composed ‘infinite libido’ again explores dusky’s more percussive tendencies and has been a regular feature in their dj sets for the past year.

the * dance session band project* started for the session with the dance duo symbol-ism who represents yoyogi, tokyo known as the base of yygrec. the band is composed by three members. daisuke fujiwara (sax), well versed in detroit techno, got attention when he was playing in his original band “phat”, which sublimated the improvisation style of techno and jazz in 90’s. after that he has played with jeff mills and also with underground resistance. masatsugu hattori (drums) who has been playing across the genre, has appeared on the fighting-style music event boycott rhythm machine versus live. he has also played and gone on a duo tour with mc sibitt from a hiphop crew origami. keigo iwanami (bass) is playing in a club jazz band sleepwalker, a punk band midori, oncenth trio, zycos and more. he keeps playing in various fields of music like jazz, pop, punk, improvisation music etc. in this project, they creates “physical” dance session music inspired by symbol-ism, and reflects their each musical backgrounds of jazz, techno, house, hiphop, punk, improvisation and so on.

les fils du calvaire is a parisian trio (jo, damien & clement. nowadays they spend their time between the french capital and berlin. they are also the creators of the hybrid electronic music project, dop, signed on circus company, the label who released the first album of nicolas jaar. les fils du calvaire is hybrid, transversal between elegant french pop, decadent club music and outgoing cabaret. they compose for people who are singing in the shower, those who drive by night, for the charming ones while dancing upside down. especially for those who understood that present may be our last freedom. and all this without any nostalgia. they also know how to pick their cast: they called ash workman for his production skills (metronomy, christine and the queens) to do the mixing of their first album. >rester avec toi< is a perfect flavour extract from the forthcoming album >fils de<

seth troxler continues to shed light on the frontiers of his musical interest and offers up the next record on soft touch - his imprint specialising in the more celestial strains of indie, rock, electronica and everything in between. this third instalment comes from a fresh nomadic trio: aou who align their esoteric set up and a wide range of influences to present their ‘gordo laika’ ep.

bc & co. started out as a small group of friends who surfed and skateboarded together. as they hung out in venice and shared their interests and ideas about music, sounds started to take shape. what started off with no intentions of being anything serious began to develop, inspiring music composer alberto bof, music advisor paul t. and music coordinator alex olson to think about avenues of release. inspired by a seigen ono record put out for comme des garcons in 1988 olson got the idea to release the trio s project under his brand bianca chandon. this limited 12 inch has embodied the spirit of the creators and the motivation of the brand to become bianca s first record release.

city slang is very proud to announce the sympathy for the auto industry remixes by berlins analog techno prodigies fjaak (50weapons/ monkeytown), which is an electronic music trio from berlin and probably the only techno-boyband worldwide.

fresh from their successful asia tour, recent remixes on monza and king street and appearance on chris tietjens zehn cocoon compilation, italian duo doomwork make their ovum debut with a trio of powerful rolling tech burners. reflecting their multi-shade style and influences, every chapter of the night is consummately catered for.

eyetone present their most ambitious release to date with the introduction of pink murder, a synth-pop trio band hailing from brooklyn/nyc consisting of michael panico of stargazy, gregory henits of folding legs and vita and the woolf s jennifer pague.alike its name, it feels fresh and wonderfully mystique, a gorgeous waft of warmth and well-being, a fantastic remix package by mark e, inkswel and wood drift that is enriching, soothing and ready for the dance floor. along with a reconstructed edit of the original mix by label founder demi.

london based dj/producer pawsa is an artist on the rise who has already impressed with releases for lost records and green velvet s legendary cajual imprint. today he makes his mood debut with the flux ep, a trio of tracks, each underpinned by strong throbbing beats and mysterious basslines.

again the berlin based instrumental trio: max loderbauer, c. puntin and s. rohrer. incl.download code

this month sees the launch of newly formed label rm records. rmr has been put together by dj and production trio longplay who say that the label will serve not only as a platform for their own productions, but alex agore / james dexter / longplay / m.a.x & lloyd rmr001 also to showcase up and coming talent along with established acts from around the world. the excellent first release features tracks from longplay, m.a.x. & lloyd, james dexter and the mysterious figure that is alex agore.

delving further into what makes this reverent vancouver trio tick, 1800hs reveal a deeper, smoother side to their production that still packs a punch, whilst exploring more tender themes. twitching, rhythmic acid lines flicker over water-tight drums on *dreamer*, crystal synths rise out of the raw depths on *heldled*, and *drained* ends the proceedings on a melancholic yet emotionally ambiguous note, floating through seas of illuminating pads and steadily drifting towards the horizon.

pete dafeet unleashes the third single from his critically acclaimed debut album the root, the soul, in what will be his labels final release. after a decade in business, baltimore is a fitting epitaph for lost my dog: a languid and lazy deep house cut that makes for a classic end-of-night jam. if that isnt enough, house legend charles webster drops by with a trio of deep and dubby remixes to help the label sign off with a real flourish.

following on from their second release by russian producer and dj, tripmastaz, the fledgling barcelona based label drops another blistering ep, this time saturated in acidic 303 lines and crisp 808 percussion by german trio, daniel varga, michael kuebler, and sascha hedgehog, aka rework. having released on visionquest, playhouse, items&things, meant, loveyeah and more, the group continue to reinvent their fresh and funky reimaginings of new wave disco and delve further into sonic explorations.

mit den zwölf besten tunes aus den jahren 1980 bis 1985, die der sänger (bürgerlich: errol osbourne) für king jammy eingespiellt hat, ausgesucht und zusammengestellt von dem jammys experten johnny wonder! als musiker fungieren die high times band, die roots radics, steely & clevie, noel davey und mafia & fluxy. als toningenieure waren bobby digital, king jammy, squeengine francis, beckett und soldgie hamilton am start. johnny osbourne war mitglied des legendären vokal-trio the sensations und wurde als solist zum studio one veteran und dancehall-reggae star, dessen stimme bei aufnahmen von den beastie boys, major lazer, u.v.a. gefeatured wurde.

one-take ambient instrumental travels, composed in strict committee by the trio of kevin blagg, william suran, and dante carfagna. recorded spontaneously in rural arkansas, bulging sub-woofers lope through fissures of skeletal banjo and pitched down pedal steel, while delicately arranged basins of synth and guitar reverberate, providing a steady stream of granular epiphanies. utterly faded, yet still possessing crystalline clarity, these twelve songs continually attain summits rarely reached within the span of four-minute transmissions.

incl. markus suckut, parris mitchell & dj spider remixes! with the original release marking rekids return from hiatus, radio slave s the clone wars is now revisited with a trio of new interpretations from three distinctive talents on house & techno. on the a side, markus suckut moulds the original into the kind of no-nonsense rolling techno jam that has personified his releases for mosaic and figure. the b side enlists two us talents in the shape of parris mitchell and dj spider, with the former bringing a glitchy take on the jacking chicago house that mitchell perfected in his timeless productions for dance mania, and the latter shaping the track into crunchy weirdo techno that sits perfectly alongside his output for the trilogy tapes and his own ny-based plan b recordings.

500 only, tresor records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. three of the finest in this collection were albums contributed by surgeon, * basictonalvocabulary*, * balance* and * force + form* all originally came out on the berlin institution between 1997 and 1999. surgeons inimitable combination of detroit techno and post-industrial sounds emanating from his british homeland found its fullest expression in these masterful trio of releases on tresor. the balance remakes 12” accompanied surgeons second tresor album in 1998, with additional versions as well as a remix by long-time birmingham collaborator mick harris.

stepping up for the second ep on brame & hamos own imprint splendor & squalour is top boy hamo with his debut solo ep -the cotton club. with his partner brame he has already released staggering eps on dirt crew recordings and dam swindles own heist recordings. a fierce rise in the deep house community for sure! we already had a small taste of hamo s solo productions on the clockwerk ep that was released beginning of this year as the first ep on splendor & squalour. now we are giving you a full 5 tracker with a remix from box aus holz/ torben boy kickflip mike. the ep kicks off with title track - cotton club - a jazzy deep house jam, keeping the hip hop vibe present. up next is -wonce- which is a little bit more on the melodic side. we would also like to welcome more of our sligo family to the label with this side up, the hip hop trio is featured as third on the a side with the straight hip hop track in control. on to the b side we have the brilliant kickflip mike adding a much clubbier vibe to -wonce- a real early mornings bomb. to close the ep hamo has given us black lodge, a dusty house groover with delightful hi-hats and very clever sampling going on as in all his works, solo or with his homey brame.

key vinyl don their scouting caps once again for another split ep featuring fledgling and debuting talents. first up is the plant worker. this french dj and producer isn’t exactly new to the game, but as the plant worker he’s been slowly journeying down harder, rawer trajectories—as the name may suggest. with a trio of eps out already, “iota 001” and “iota 002” continues his exploration into purer techno forms with two cuts of deep, probing, loopy floor material. then on the flip, key vinyl unveil the first works from masked newcomer transient x4. “lost in perceptions” is a jangling sic fi trip to techno’s bleak and pitch-black periphery, whilst “ways to space” sends its cosmic theme off for a spell in the basement, coming out as a monstrous peak-time send off.

as one third of the founding trio of revered cologne imprint magazine, jens-uwe beyer has become an obvious choice for any adept of open-minded electronic music, both through releases such as the one-track-one-hour manifesto red book (magazine 008), several contributions to our pop ambient compilation series or inspired remixes for barnt, dream weapons and others. besides this being the same mastermind as the one behind the ongoing popnoname brand, you wouldn t expect upcoming the emissary to actually be a debut, but it is, for it s the very first time that we re treated to a full-length offering under the artists real name.

archie pelago is a trio from brooklyn. greg plays cello, zack plays saxophone, and dan plays trumpet and works the knobs. the archie guys did one of the very first releases on mister saturday night records, and we’re very happy to have them back – especially with such brilliant tunes. the a side, clammy customer, takes dozens of twists and turns, weaving in vocals by the always excellent gabriel garzon-montano, and the b side, madame suede nightshade, was apparently made with us in mind (check the initials). both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno.

the dj/producer trio partok matushka apfelberg comes up with a slick, propulsive techno debut on kompakt.

hailing from toulouse, french trio signs have already carved themselves out an interesting niche within the nu-skool neuro scene, stamping their unique output into the publics consciousness with big releases on red light records, bad taste recordings and c4c recordings. their beats are sparse and militant with each drum hit afforded the space to dominate the audio spectrum, with pauses and moments of silence, delicately programmed into the dna of the drum tracks, playing big part in the groove s forward momentum, propelling the riddims forward and creating a dynamically powerful and compelling backbone for the rugged, tough basslines to shine.

as earlier compilations of danza meccanica have taught us, italy gave birth to a disproportionate number of synth-pop, new wave and electronic acts in the 80s. mannequin goes deeper into the italian new wave archelogical research with a killer 10 tracks selection of carmody. picking their name from a science fiction novel titled dimension of miracles by robert sheckley, carmody were coming from torino, as their pairs monuments and chromagain. started as a duo (alberto ramella and andrea lesmo) and later a trio with max casacci joining in as a guitar player, carmody recorded from 1981 to 1985 and issued three incredibly rare demo tapes. sleep on mirrors compiles the best tracks from those tapes, bringing you one of the most peculiar 80s minimal synth music coming out of italy

gelenkter wahnsinn: das trio aus new york präsentiert ein hypnotisierendes werk.
reguläre pressung auf schwarzem doppel-vinyl, downloadcode inklusive.

gelenkter wahnsinn: das trio aus new york präsentiert ein hypnotisierendes werk.
limitierte pressung von 500 exemplaren auf transparentem doppel-vinyl, downloadcode inklusive.

whilst he is primarily recognised for his bond with detroit and its varying strands of house and techno, seth troxler is an artist whose taste and collection spreads much further afield. through his own imprint soft touch, seth explores music from way beyond the motor citys borders as he seeks to outlet left-of-centre cuts that touch on interstellar guitar, calypso disco and seductive techno tracks. with the project inaugurated by clarian back in august of 2014, the second instalment comes from the visionquest and playhouse affiliated trio rework who draw from their unique meld of synths and vocals and turn in their lovecall ep

mkfn return to touchin bass after last years *substrate ep* with their latest offering, *this divide ep*. through a sustained and methodical exploration of studio techniques, the trio of babar raza (us), ovais hassan (uk) and fahad ahmad (canada) continue to refine and evolve their signature sound. manipulated sounds accent the meticulous rhythms to form the foundation upon which this release is defined. over the course of these four tracks, mkfn create a sense of place inviting listeners to traverse landscapes that exist independent of any singular perception or experience.

brazilian aia records - founded by highly-respected djs aninha & antonela giampietro - launches with its first label ep by sao paulo - based trio nomumbah

yes, so we re finally here, the 100th release of gamm enterprises ! since the very first release with red astaire s now classic follow me gamm have remixed, reworked and edited almost every style under the black music banner. gamm have and will always aim to deliver dj friendly black dance music regardless of style. gamm simply bring out that little extra in your favourite tunes. so for our 100th anniversary release we thought we really needed to bring out the big guns. what could be better than an ep where the mighty the reflex and up and coming remix star moplen came together and re-work the greatest artist of al time, michael jackson! sounds pretty good right? the reflex, moplen and mj...what a trio! well, there s not much more to say really except that if you like disco, boogie and mj this is the biggest musical home run of all time. lets boogie...gamm style!

matt nowak drops a trio of mesmerising techno tracks on his zaijenroots imprint this june with appearances from sebastian klenk and jerome sydenham. matt nowak inaugurated the zaijenroots discography under his no mad ronin moniker alongside jerome sydenham in 2013, before reappearing for the second release with quiet daze (ian pooley) on remix duties. as the label returns for its third outing nowak pairs up with german producer sebastian klenk whilst distinguished veteran sydenham carves up a remix. *aleister* sees nowak and klenk create an acosmic track that initiates with a touch of funk before sullen synths make way for punchy sp-1200 beats and unsettling throbs. sydenham provides a rendition of no mad ronin *chemical planet* from zaijenroots second release, featuring a perennial hook joined by intangible spoken samples and a subtle sub bass. lastly *lenore* ties things together with a subterranean cut abundant with echoes and spacey atmospherics.